Sunday, January 06, 2008

The Theory of Colour

At Art College I learnt about the the scientific theory of colour as well as the intellectual and emotional properties of colour for artists. Firstly, this involved attending workshops in a darkened lecture theatre where coloured lights were projected onto a large white film screen in order to explain the principles of how yellow, cyan, and magenta, combine to produce white light. Thereafter, the difference between the coloured light theories and the methods of mixing coloured pigments for the purpose of painting, was explained in practice.

There followed many experiments with coloured paint, as expounded in the Bauhaus teachings of the masterful Johannes Itten. These were given and followed step by step. And so step by step the jigsaw of colour mixing and colour interpretation began to build a complete picture of infinite possibilities. Infinite possibilities where anything goes…..but what was still lacking in me was the inspiration and the will to use this knowledge in a way that is creative. It’s rather like taking a student to a theory but not being able to make her think for her self. It was 4 years after I left Art College before I really began to understand colour in a way that was meaningful to me. This came in a most unexpected way, from looking at the world of leaves and flowers.

About Me

Coral Guest was raised in north west London and studied Fine Art at Chelsea College of Art, specialising in abstraction and colour theory. She was awarded both the Drawing Prize and the Chelsea Travel Scholarship. Her life size paintings of plants, which she describes as truth to nature, have since evolved to become some of the most ground breaking of the genre, fuelling the recent renaissance of Botanical Art in Europe. Perhaps most well known for her paintings and drawings of white flowers, her work captures the essential spirit of plant life by describing natural beauty in natural light. In 2004 she was invited by BBC Wales to participate in the TV documentary series Painting Flowers, in which she is filmed working on a watercolour of the iconic white lily. Her paintings and drawings are represented in major public and private collections of botanical art, including the Royal Horticultural Society Lindley Library, the Shirley Sherwood Collection of Contemporary Botanical Art, the Hunt Botanic Institute, and the Royal Botanic Gardens, Kew.